1. Things slip my mind, even past experiences I cherished, but, once remembered, i cherish them again.
One of those experiences returned today. I had tuned into WUOL, the classical music arm of Louisville Public Media, and suddenly through the miracle of streaming, I heard Ralph Vaughn Williams' Five Variants of "Dives and Lazarus".
Time stood still. Everything in my little world at home stopped.
I'd forgotten about this composition, how deeply and immediately it moves me and how, like the other Vaughn Williams compositions I've mentioned in recent posts, it gives rise to best elements of my inner life. It softens me. It moves me to feel my capacity, and possibly the more general human capacity, for kindness, care for others (human and animal), love, and enjoyment.
I first became irreversibly aware of Vaughn Williams in January of 1996. I heard Eugene's Mozart Players perform Williams' Fantasia on a Theme by Thomas Tallis at the University of Oregon's Beall Hall and I was transfixed as I listened and eager to pursue more of Vaughn Williams' work after I left the hall.
I'm pretty sure in 1996 I my portable means of listening to music was with my Sony Discman. So, I began to build a small collection of cds of Vaughn Williams' compositions and I remember being at the Lane Transit District bus stop at the bustling Eugene intersection of Amazon Parkway, 30th Ave., and Hilyard St. late one afternoon as crush of people were driving home from work and suddenly Five Variants of "Dives and Lazarus" played on the cd I was listening to. I'd never heard this piece before and somehow all the stopping and going and honking and pulse of traffic turned placid, as if I'd been transported to a quiet stretch on a hiking trail in the Willamette National Forest.
I was at peace.
2. You might wonder why I was listening to a public radio station located in Louisville, KY.
I began listening to Symphony Hall on Sirius XM when taking early morning drives for blood work and checkups to Coeur d'Alene and Spokane. Starting at 3 a.m. (PST), the Symphony Hall host is Colleen Wheelahan and after a trip or two I came to enjoy her immensely. Her radio voice works beautifully for me and, in addition, she is very knowledgeable about the world of classical music and her introductions to the pieces she plays are superb.
Well, after some superficial poking around on the World Wide Web, I discovered she also hosts a classical music program on WUOL in Louisville that comes on at 3 p.m. PST.
So, not only will I continue to have Symphony Hall on at night so that when I wake up, her morning show is already on, I will, when I can, listen to her show on weekday afternoons from Louisville.
I also discovered in no time that Colleen Wheelahan publishes her thoughts and insights about any number of subjects, mostly music related in one or another, on Substack. I now subscribe to her Substack account, and she brings the same intelligence and insight to her writing that she does to her radio work.
Making discoveries like this is really fun for me.
3. When I lived in Greenbelt, I got way into listening to podcasts of all kinds -- cooking, culture, art history, the media, the now defunct podcast on podcasts, and many others -- many of them were a production of one kind of public radio or another.
For some reason, in the last several months, I fell out of this most enjoyable habit.
Tonight, thanks to Radiolab being a crossword puzzle answer lately, I decided to pick a random episode of Radiolab and get myself listening to podcasts again.
At random, I picked an episode from nearly ten years ago entitled "The Buried Bodies Case".
I found it both grisly and intellectually challenging and memorable.
The story focuses on a murder case from 1973 in upstate New York state. To me, the central voice in this podcast was Frank Armani, an attorney, in his eighties when this episode was produced, who served as the defense attorney for a serial killer and rapist named Robert Garrow.
In the course of building a defense of Robert Garrow, Armani gains knowledge about a question the police and the public and a couple of families are desperate to learn.
Armani faces a dilemma: does he protect attorney/client confidentiality and keep this knowledge to himself? Or does he let law enforcement, the public, and the families know what he's learned?
It's thorny. It's highly charged.
And I'm not telling what he decided to do.
If you'd like to wrestle with the law, the ethics of defending a clearly guilty criminal, and the moral dilemma Frank Armani faced, here's a link to this episode: The Buried Bodies Case