1. Hearing Leonard Oakland read the poem "Those Winter Sundays" on his radio program yesterday sparked my over fifty years long love of poetry to come out of hibernation. As I've written about previously, I tend to focus on one of my loves in life at a time and the others fall by the wayside. I've been on poetry jags, photography jags, movie jags, and jazz jags among others, especially since moving to Kellogg. About a year and a half ago, I went on a reading jag as I read a list of about twenty books that Leah Sottile posted, books she determined the New York Times had ignored when the newspaper published a list of best books of the 21st century so far. Reading those books inspired me to go beyond that list and read other very enjoyable books, both fiction and non-fiction.
Over the summer of 2025 and continuing to the present, I've been focused on listening to, reading about, listening to lectures about, and going to live performances of classical music.
The jolt that Leonard's reading gave me woke me up to the fact that when I was on a poetry jag back in about 2021, I bought a collection of poems entitled, The Music Lover's Poetry Anthology.
I opened it up today and suddenly felt the power of a marriage made in Kellogg between poetry and my latest, long-running jag, classical music!
I held in my hands poems about Bach, Beethoven, Brahms, the Schumanns, and others in the classical world as well as poems about jazz, the blues, opera, the music of nature, musical instruments, singing and songs, and more.
A poem by Lisel Mueller, not in this anthology, has been on my mind for months, but I couldn't remember its title, but I knew it was about the absurdity of the tradition of clapping at the end of a musical performance when, in fact, the silence of being moved and transported would be more appropriate.
This poem came vividly to mind when I heard the Spokane Symphony perform on February 28th.
Conductor James Lowe told us after the first piece was finished in the first half of the concert that the orchestra would be playing the next four pieces without a break and that when the last piece, a chorale by Bach (sung by the Spokane Symphony Chorale), he'd appreciate it if we'd be silent until the house lights came up.
It was extraordinary.
I felt like I was in a cathedral and not having the mood of those four pieces broken by the audience clapping moved me spiritually.
I wish Lisel Mueller could have been there.
You'll know what I mean if you go to the bottom of this post and read her poem, "Brendel Playing Schubert".
(The pianist Alfred Brendel (1931-2025) was a noted performer of music composed by Franz Schubert [among others].)
2. Let me add to BT #1 my gratitude to Bridgit Lacy. When I posted to the Westminster Study Group that I couldn't think of the title of the Lisel Mueller poem, she remembered hearing the poem some time ago on Writer's Almanac and almost immediately sent me the answer to my inquiry. Thank you, Bridgit. You were today's Anne Sullivan in my book.
3. Our family dinners will be Monday evening get togethers for a short while. Tonight, Carol, Paul, and I came over to Christy's house. She'd organized a dinner with a Mexican theme.
Carol and Paul brought chips, a warm homemade bean dip, and a veggie plate for our starters.
Our dinner centered around the layered taco salad Christy built and, as a side, I brought a lime cilantro rice dish, something I'd never made before and that turned out pretty good. Christy's salad was terrific.
I enjoyed two helpings of lemon bar ice cream for my dessert and Christy also offered churros.
In the background of our dinner, the Zags defeated Oregon State with the sound muted.
We talked a little bit about basketball, but tonight's conversation bounced all over the place, ranging from Christy's home improvement projects to some talk about working out salvation with fear and trembling to Bucky's upcoming one year birthday party on Saturday.
Brendel Playing Schubert
We bring our hands together
in applause, that absurd noise,
when we want to be silent. We might as well
be banging pots and pans,
it is that jarring, a violation
of the music we've listened to
without moving, almost holding our breath.
The pianist in his blindingly
white summer jacket bows
and disappears and returns
and bows again. We keep up
the clatter, so cacophonous
that it should signal revenge
instead of the gratitude we feel
for the two hours we've spent
out of our bodies and away
from our guardian selves
in the nowhere where the enchanted live.
-- Lisel Mueller