1. Debbie and I went to Spokane today. It turned out we overloaded our minds with stimulation, in a very good way. We arrived home very tired but invigorated and with a lot on our minds.
Our day began at Spokane's Northwest Museum of Arts and Culture (MAC) at noon. Spokane Symphony conductor and music director James Lowe gave a nearly one hour lecture on the single piece the symphony will perform Saturday evening and Sunday afternoon (when we'll go): Giuseppe Verdi's Requiem, first performed in 1874.
The way Lowe developed context for the Requiem through looking at the history of Italy and the story of Italian novelist Alessandro Manzoni, whose death inspired Verdi to compose this requiem. He then played and commented upon excerpts from the Requiem, helping us better understand the range of emotions Verdi explores about death, the way the orchestra and chorale and vocal soloists work together as Verdi's masterpiece develops, and his view that Verdi wrote the Requiem for us, for us living mortals, as a way to move us to examine our own feelings, ideas, and beliefs about being mortal, presenting the fact of mortality as a reality that continually rises up in our minds and one that we deal with continually as people we know die.
I think this was the third time I've gone to one of these lectures.
Each time, listening to James Lowe and the ways he integrates history, linguistics, spiritual experience, literature, art, movies, cuisine, and other subjects outside of music into his lectures, it takes me back to my days at Whitworth College where I was joyfully introduced to the wonders of interdisciplinary studying and thinking and began to learn about the ways the different kinds of liberal arts connect with each other.
So in a way I find moving, a way that goes way beyond nostalgic sentimentality, listening to James Lowe makes me feel like the eager to learn 20 year I was when I enrolled at Whitworth and my life expanded into a love for the liberal arts in the broadest sense of that word and entered into a lifelong source of joy and stimulation.
2. Lowe ended his lecture and I couldn't move right away. Luckily, Debbie and I were seated in the middle of our row and no one needed us to move, so I could just sit and let what I'd just experienced sink in.
After a few minutes, we left the MAC's auditorium and walked over the MAC's galleries where we wanted to look at two exhibits: Brick by Brick: We Built this City, a display of seven iconic Spokane buildings constructed to scale with LEGO bricks and James Lavadour: Land of Origin, a retrospective of five decades of Lavadour's paintings and prints exploring the power and beauty of Eastern Oregon landscapes.
The LEGO exhibit was astonishing for its craft and ingenuity. I never built anything with LEGOs. Our grandson, David, was obsessed with them as a boy. Through David I witnessed how far the LEGO world had come -- LEGO sets were available for everything from Monet paintings to Marvel characters to castles and floral bouquets.
Honestly, though, what the builders who created these replicas of places like St. John's Cathedral, the Davenport Hotel, the Spokesman-Review building and others pushed my mind way beyond anything I had imagined possible to do with LEGOs.
James Lavadour's painting exploded off the walls of the MAC. They are not representational works (they don't look like photographs), but are expressive pieces that endow the landscapes with power, spirit, fire, mythology, and other ways that Lavadour experiences them.
In a very positive way, Debbie and I found this exhibit overwhelming. The paintings are large, presented in sets, like of nine paintings, and numerous works are on display.
I hope we'll return. I want to feel the power of these paintings again, but, as today, in short amounts of time.
I bought the coffee table book that was published to accompany this exhibit and look forward to learning more about Lavadour and his work from it.
3. We lunched at The Elk and then tested the limits of how much beauty we could absorb in an afternoon by going to the same exhibit I visited on Wednesday at the Chase Gallery.
So, Debbie and I both entered the world of life deep in the ocean through paintings, videos, and sculptures.
We both enjoyed these works, but we didn't last long.
Our energy ran out.
We'd taken in a lot and reached our limit, but what an awesome way to get worn out.